Two thousand years ago hundreds of scrolls, which include the oldest written record of the Old Testament ever found, were buried in the caves of the Judean Desert. Now, sixty years after the fortuitous discovery of the first scrolls by Bedouin shepherds, the Israel Antiquities Authority (IAA), to whom they are entrusted and who diligently strives to preserve them, has decided to provide researchers and the public worldwide access to them.
In a press conference that took place this morning in Jerusalem (August 27), the IAA presented a pilot program that is being conducted this week, involving the imaging of the Dead Sea Scrolls, using the latest in digital cameras. The project will involve the documentation of all of the thousands of Dead Sea Scrolls fragments belonging to about 900 manuscripts, and placing them in an internet data bank that will be available to the public. This will be accomplished by imaging the scrolls in color and infrared which allow, among other things, the reading of scores of scroll fragments that were blackened or ostensibly erased over the years and which were not visible to the naked eye until now.
The pilot project is examining the means that were selected for imaging and storing the information, and is also estimating the amount of time and resources necessary for implementing a project such as this.
Participating in the pilot project together with the IAA staff are international experts in the fields of imaging technologies and the management of large image databases, amongst them Dr. Greg Bearman recently retired as Principal Scientist from the Jet Propulsion Laboratory, NASA, Simon Tanner, Director, King’s Digital Consultancy Services, Dr Julia Craig-Mc-Feely, a manuscript expert photographer, and Tom Lianza, Director of Motion Picture and Television Technologies, X-rite Incorporated. Dr. Bearman has previously worked with the IAA and other national libraries on imaging of ancient texts, his group pioneered the application of modern digital electronic and spectral imaging to archeological artifacts. Simon Tanner has worked with some of the rarest artifacts around the world and helped numerous digital projects to succeed in delivering public and scholarly access to their treasures. Dr Craig-McFeely is Director of the Digital Image Archive of Medieval Music and is internationally renowned for her excellence in the digital photography of manuscript materials. Tom Lianza has extensive experience in color and imaging. He is one of the early pioneers in the field of Color Management and developed some of the earliest digital flatbed color scanners.
As part of the pilot program the experts set up three separate imaging stations in a sealed and specially painted gray room:
• A high resolution color imager that will capture the current state of the fragments.
• A high resolution single wavelength infrared imager that will provide significantly increased legibility to the texts in general and of fragments that have deteriorated and have become illegible.
• A spectral imager with lower spatial resolution that covers the red and infrared portions of the spectrum. Spectral imaging will be used on fragments to monitor any changes in the manuscripts by measuring and monitoring their spectral reflectance.











