According to Dr. Doron Ben-Ami and Yana Tchekhanovets, directors of the excavation at the site on behalf of the Israel Antiquities Authority, “The high level of finish on the figurine is extraordinary, while meticulously adhering to the tiniest of details. Its short curly beard, as well as the position of its head which is slightly inclined to the right, are indicative of an obviously Greek influence and show that it should be dated to the time of the emperor Hadrian or shortly thereafter (second-third centuries CE). This is one of the periods when the art of Roman sculpture reached its zenith. The pale yellow shade of the marble alludes to the eastern origin of the raw material from which the image was carved, probably from Asia Minor, although this matter still needs to be checked”.
The stylistic motifs that are manifested in the image, such as its short hair style, the prominent lobes and curves of the ears, as well as the almond-shaped eyes suggest that the object most likely portrays an athlete, probably a boxer. Boxing was one of the most popular fields of heavy athletics in Roman culture and more than once Roman authors mention the demand by the Roman public in general, and the elite in particular, for boxing matches. Besides the prestige and the substantial amounts of money the victors of boxing competitions won, they were also afforded the support of the emperor himself, as in the famous case of Melancomas who was Titus’ favorite boxer.